” I drifted into Photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually did it for the money ” – Philippe Halsman
Philippe Halsman was born in Riga and began to take photographs in Paris in the 1930s. He opened a portrait studio in Montparnasse in 1934, where he photographed André Gide, Marc Chagall, André Malraux, Le Corbusier and other writers and artists, using an innovative twin-lens reflex camera that he had designed himself.
In September 1928, 22-year-old Halsman was accused of his father’s murder while they were on a hiking trip in the Austrian Tyrol, an area rife with antisemitism. After a trial based on circumstantial evidence he was sentenced to four years of prison. His family, friends and barristers worked for his release, getting support from important European intellectuals including Sigmund Freud, Albert Einstein, Thomas Mann, Jakob Wassermann, Erich Fromm, Paul Painlevé, Heinrich Eduard Jacob and Rudolf Olden, who endorsed his innocence. Halsman spent two years in prison, contracted tuberculosis there, and his letters from prison were published as a book in 1930: Briefe aus der Haft an eine Freundin. He was pardoned by the President of Austria, Wilhelm Miklas, and released in October 1930.
Halsman consequently left Austria for France. He began contributing to fashion magazines such as Vogue and soon gained a reputation as one of the best portrait photographers in France, renowned for images that were sharp rather than in soft focus as was often used, and closely cropped. When France was invaded by Germany, Halsman fled to Marseille. He eventually managed to obtain a U.S. visa, aided by Albert Einstein (whom he later famously photographed in 1947).
He arrived in the United States in 1940, just after the fall of France. Halsman had his first success in America when the cosmetics firm Elizabeth Arden used his image of model Constance Ford against the American flag in an advertising campaign for “Victory Red” lipstick. A year later, in 1942, he found work with Life magazine, photographing hat designs; a portrait of a model in a Lilly Daché hat was the first of his 101 covers for Life.
In 1941 Halsman met the surrealist artist Salvador Dalí; they began to collaborate in the late 1940s. The 1948 work Dalí Atomicus explores the idea of suspension, depicting three cats flying, a bucket of thrown water, and Dalí in mid air. The title of the photograph is a reference to Dalí’s work Leda Atomica which can be seen in the right of the photograph behind the two cats. Halsman reported that it took 28 attempts before a satisfactory result was achieved.
Halsman and Dalí eventually released a compendium of their collaborations in the 1954 book Dali’s Moustache, which features 36 different views of the artist’s distinctive moustache. Another famous collaboration between the two was In Voluptas Mors, a surrealistic portrait of Dalí beside a large skull, in fact a tableau vivant composed of seven nudes. Halsman took three hours to arrange the models according to a sketch by Dalí. Various reenactments of and allusions to In Voluptas Mors have appeared over the years; most famously, a version was used subtly in the poster for the film The Silence of The Lambs, while an overt reenactment appeared on a promotional poster for The Descent.
In the course of his prolific career in America, Halsman produced reportage and covers for most major American magazines, including a staggering 101 covers for Life magazine. His assignments brought him face-to-face with many of the century’s leading personalities.
In 1945, he was elected the first president of the American Society of Magazine Photographers, where he led the fight for photographers’ creative and professional rights. His work soon won international recognition, and in 1951, he was invited by the founders of Magnum Photos to join the organisation as a ‘contributing member’, so that they could syndicate his work outside the United States. This arrangement still stands.
In 1947, Halsman made what was to become one of his most famous photos of a mournful Albert Einstein, who during the photography session recounted his regrets about his role in the United States pursuing the atomic bomb. The photo would later be used in 1966 on a U.S. postage stamp and, in 1999, on the cover of Time magazine, when it called Einstein the “Person of the Century.”
In 1951, Halsman was commissioned by NBC to photograph various popular comedians of the time including Milton Berle, Sid Caesar, Groucho Marx, and Bob Hope. While photographing the comedians doing their acts, he captured many of the comedians in mid-air, which went on to inspire many later jump pictures of celebrities including the Ford family, The Duke and Duchess of Windsor, Marilyn Monroe, María Félix and Richard Nixon.
Other celebrities photographed by Halsman include Alfred Hitchcock, Martin and Lewis, Judy Garland, Winston Churchill, Dorothy Dandridge, Pablo Picasso, and Jean Cocteau.
Many of those photographs appeared on the cover of Life. In such photos, he utilised a variety of his rules of photography. For example, in one of his photos of Winston Churchill, the omission of his face makes Halsman’s photo even more powerful at making Churchill more human.
Halsman commented, “When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.” The photographer developed a philosophy of jump photography, which he called jumpology. He published Philippe Halsman’s Jump Book in 1959, which contained a tongue-in-cheek discussion of jumpology and 178 photographs of celebrity jumpers.
In the early 1950s, Halsman began to ask his subjects to jump for his camera at the conclusion of each sitting. These uniquely witty and energetic images have become an important part of his photographic legacy.
In 1952 John F. Kennedy sat twice for photographs by Halsman. A photograph from the first sitting appeared on the jacket of the original edition of Kennedy’s book Profiles in Courage; one from the second sitting was used in his senatorial campaign.
In 1958, Halsman was listed in Popular Photography magazine’s “World’s Ten Greatest Photographers”, and in 1975 he received the Life Achievement in Photography Award from the American Society of Magazine Photographers, of which he was elected the first president in 1945. He also held many large exhibitions worldwide.
In the 2007 film Jump!, Halsman was portrayed by Ben Silverstone. More of his work can be found here.
Images courtesy of Magnum Photos